Jutro się policzy! - Dramatyczny portret społeczeństwa w cieniu wojny i tajemnicza opowieść o miłości

blog 2024-12-15 0Browse 0

“Jutro się policzy” (Tomorrow We Count), a film directed by Agnieszka Holland and released in 1981, paints a poignant portrait of Polish society grappling with the scars of war. The film delves into themes of guilt, forgiveness, and the enduring power of love against a backdrop of political unrest and moral ambiguity.

The narrative centers on Teresa (played by the mesmerizing Joanna Pacuła), a young woman who returns to her childhood home in Kraków after years spent abroad. Haunted by the trauma of wartime experiences and the unresolved death of her brother, Teresa seeks solace in reconnecting with her estranged family. However, she soon discovers that the past refuses to remain buried.

Teresa’s arrival stirs a cauldron of emotions within her family. Her mother (played by the formidable Krystyna Feldman) is consumed by grief and suspicion, while her sister (played by the luminous Anna Dymna) grapples with resentment and jealousy. The film masterfully weaves together flashbacks and present-day scenes, gradually revealing the harrowing truth behind Teresa’s brother’s disappearance and its lasting impact on those who loved him.

“Jutro się policzy” is not merely a historical drama; it’s a profound exploration of human relationships strained by secrecy and unspoken truths. The film probes the complexities of family dynamics, the enduring weight of guilt, and the fragile nature of trust in a society marked by division and ideological conflict.

Tematy i symbole w “Jutro się policzy”:

Temat	Opis
Guilt	Teresa’s brother’s death casts a long shadow over her family, prompting characters to confront their own past actions and the burden of responsibility.
Forgiveness	The film explores whether forgiveness is possible in the face of unspeakable acts, questioning the boundaries of justice and redemption.
Love	Despite the tumultuous backdrop of war and societal unrest, “Jutro się policzy” reveals the enduring power of love as a source of hope and healing.

Holland’s masterful direction brings to life the raw emotions and complex relationships at the heart of the film. The use of black-and-white cinematography evokes a sense of nostalgia and underscores the stark realities of postwar Poland. The performances are uniformly excellent, with Pacuła delivering a captivating portrayal of a woman grappling with grief, guilt, and the yearning for connection.

“Jutro się policzy” is more than just a cinematic experience; it’s a deeply personal reflection on the human condition in times of crisis. The film invites viewers to contemplate the weight of history, the power of forgiveness, and the enduring search for meaning and purpose in a world marked by uncertainty.

Produkcja “Jutro się policzy”:

Reżyser: Agnieszka Holland
Scenariusz: Agnieszka Holland i Krzysztof Piesiewicz
Muzyka: Wojciech Kilar
Zdjęcia: Witold Sobociński
Premiera: 1981

Warty uwagi jest fakt, że:

“Jutro się policzy” zdobył nagrodę na Festiwalu Filmowym w Gdyni.
Film był nominowany do Oscara w kategorii najlepszego filmu nieangielskiego.
Agnieszka Holland zyskała międzynarodowe uznanie dzięki temu filmowi.

If you’re looking for a cinematic experience that is both intellectually stimulating and emotionally resonant, “Jutro się policzy” is a must-see. This powerful film offers a profound meditation on the human spirit in times of adversity, reminding us that even in the darkest of hours, hope and resilience can endure.